|
Category
|
Title
|
Author
|
Issue
|
|
Marketplace
|
How
to Buy a Violin:
|
|
|
|
|
Safely
Navigating the Marketplace
|
S.
Hersh
|
Fall
'00
|
|
|
The
Morning After
|
S.
Hersh
|
Winter
'01
|
|
|
Finding
the Instrument of Your Dreams
|
S.
Hersh
|
Spring
'01
|
|
|
Buying
Violins Online
|
Richard
Ward
|
Spring
'01
|
|
|
How
to Try a Violin
|
S.
Hersh
|
Summer
'01
|
|
|
How
to Identify a Violin
|
S.
Hersh
|
Fall
'01
|
|
|
Appraisal
Terminology
|
S.
Hersh
|
Winter
'02
|
|
|
What’s
in a Certificate
|
S.
Hersh
|
Spring '02
|
|
|
My
eBay Experience
|
Anita
Felix
|
Winter
'01
|
|
|
How to Sell a Violin |
S. Hersh |
Fall
'02 |
|
|
How to
Try a Violin
II
|
S. Hersh |
Winter '03
|
|
|
Drawing Sound; What to Look for in a Bow
|
S. Hersh |
Spring '03
|
|
|
Gershwin, A New Edition, (String
Quartet, Clarinet) |
Cliff Colnot |
Winter '04
|
|
|
Anatomy of an Appraisal |
S. Hersh |
Winter '05 |
|
|
What
is the Rate of Return on a Stradivari Violin |
Hersh
Consulting |
Fall '05 |
|
|
It's
a Matter of Margins and Guarantees |
S.
Hersh |
Spring
'06 |
|
|
The
Value of Instruments in the Eighteenth Century |
Alain
Giraud |
Fall/Winter
'06 |
|
|
|
|
|
|
|
Auction
Scene:
|
|
|
|
|
Are
Major Changes
Underway?
|
S.
Hersh
|
Fall
'00
|
|
|
A
Rare Sleeper
|
S.
Hersh
|
Summer '01
|
|
|
Sotheby's
Last Hurrah in Chicago
|
S.
Hersh
|
Fall '01
|
|
|
|
|
|
An American Family
(original owner, Gemunder Violin) |
C.F.C. Arensberg |
Fall '03
|
|
|
|
|
Review
|
|
|
|
|
|
G.
B. Guadignini, by Duane Rosengard
|
S.
Hersh
|
Winter '01
|
|
|
Brahms,
Violin Sonatas
by Frank Almond, William Wolfram (CD)
|
Michael
Adams
|
Spring
'01
|
|
|
Heifitz
As I knew Him, by Ayke Agus
|
Paula
Chertok
|
Spring
'01
|
|
|
Oscar
Schumsky, A Life Portrait (CD)
|
Ralph
Wolin
|
Fall '01
|
|
|
The
British Violin, by Tim Baker, et al
|
Chris
Reuning
|
Summer
'01
|
|
|
Alma
Rose, Vienna to Auschwitz
by R. Newman, K. Kirtley
|
Paul
Hersh
|
Winter
'02
|
|
Arnold
Schoenberg’s Journey, by Allen Shawn
|
Paul
Hersh
|
Spring
'02
|
| |
Watching "The Art of the Violin" |
Ralph Wolin |
Spring '02 |
|
|
Elliot Carter's Harmony Book |
Paul Hersh |
Fall
'02 |
|
|
Lessons from the Past:
Great Violinists of Bell Telephone Hour |
R. Wolin |
Winter
'03 |
|
|
Franz Schubert's Music in Performance
by David Montgomery |
Paul Hersh |
Winter
'04 |
| |
Arthur Grumiaux, the EMI Classic Archive |
Ralph Wolin |
Summer '04 |
|
Stradivari's
Genius by Toby Faber |
Stefan
Hersh |
Summer
'05 |
|
Schubert
by Peter Härtling |
Monica
Gruber |
Fall '05 |
|
|
|
|
Workbench
|
|
|
|
|
|
Michael
Darnton, Luthier
|
|
Fall
'00
|
|
|
Restoration
|
Jeffrey
Holmes
|
Fall
'00
|
|
|
Photographing
Violins
|
Michael
Darnton
|
Winter
'01
|
|
|
Antiquing
Violins
|
Garry
Vessel
|
Summer '01
|
|
|
Assessing
Tonewood with the Lucchi Meter
|
Julian
Hersh
|
Winter
'02
|
|
|
The
Lutherie of Andrew Ryan
|
|
Summer
'02
|
|
|
The Lutherie of John Young |
|
Fall '02 |
|
|
A Question of Style: An Unusual Violin by Poggi |
Christopher Reuning |
Winter '03
|
|
|
Photgraphing
Violins: The Switch to Digital
|
Michael
Darnton
|
Spring
'03
|
|
|
A George Gemunder Violin |
S. Hersh |
Fall '03
|
|
|
The Care and Preservation of
Fine String Instruments |
Ralph Wolin |
Winter
'04 |
|
|
The Case for Conservation of Fine String Instruments |
Ralph Wolin |
Spring
'04 |
|
|
Problem Children (the Axelrod Collection) |
S. Hersh |
Summer '04
|
|
|
The Work of Alfred Lanini |
Julian Hersh |
Winter '05
|
|
|
|
|
Research
|
|
|
|
|
|
The
Stradivari Workshop
|
Duane
Rosengard
|
Fall '00
|
|
|
Dendrochronology
and the Messiah Strad
|
H.
Grissino-Meyer
|
Fall '01
|
| |
Reading the Messiah Strad Researsh
with Statistical Analysis |
Michael R. Weeks |
Winter '02 |
| |
Vivaldi's Violins, Accounts of the Ospidale della Pieta |
Micky White, Charles Beare |
Summer '02 |
| |
Vivaldi, Maestro di Choro |
Micky White |
Fall
'02 |
|
|
Toward a New Understanding of
Constanze Weber Mozart |
Patricia L. C. Chang |
Spring '03
|
|
|
What We Missed: the Unfinished Mozart Concerti |
Paul Hersh |
Spring '03
|
|
|
Ravel, Britten, and War |
Beeri Moalem |
Winter
'04 |
|
|
The Grosse Fugues Compared |
Teresa Szu-pei Yu |